Who is machaut

Technique of this magnitude is frequently offered as evidence of Machaut's prescience, given the prominence of such forms a hundred or two hundred years later, but the musical quality of his cycle can be appreciated on its own terms. Of course, the same can be said for Machaut's oeuvre as a whole. The discography is divided into three parts. Part I lists all the works attributed to Guillaume de Machaut, in alphabetical order, with the exception of his famous Messe de Nostre Dame , listed first.

The list was based first on the one published by Lawrence Earp see reference below in I am not aware of any major changes in the attribution of these works. This list has now been cross-verified in many other sources see introduction to texts below and is very standard for original musical settings. Links for each individual work lead to its complete discography as described below. There is also a link to a full version in one file, without the text information. The latter is added as a convenience, in addition to the regular listing.

Each entry refers to the original recording; this explains why references to the same label are different from other discographies, including the one published by Earp. It also includes re-edited material containing tracks not previously released.

If the original material is not a CD, the medium is stated between [ Each individual title is linked to a descriptive section containing as much information as possible about the original recording; this description is cross-linked to available CDs actually on the market February in North America or Western Europe. Great care has been taken to prevent misinformation and a large part of the data originates from owned recordings themselves although often not as reliable as it should be.

If the recording was not available, the content originates from the usual sources periodicals such as The Gramophone and the Catalogue , Diapason and the Catalogue , Bielefelder Katalog , Notes , and Fanfare , etc. The discography appearing in Fanfare sept. If all else failed, reference was made to the French book Diapason - Guide de la musique ancienne et baroque Coll.

Bouquins, Robert Laffond, [GMAB]; although impressive in term of quality and amount of content, readers should be careful about many recording dates listed. For those interested in further reading on the discography of the medieval and renaissance periods, refer to the following three publications:.

Also I should mention an excellent series of publications edited by Garland: name of the composer A Guide to research. Very noteworthy is the one stated above on Guillaume de Machaut by Lawrence Earp. I tried to list titles according to their label and release dates. In the linked section, I tried to follow the track order of recording; in some cases when the recording was not available, the order may need correction by a careful reader owning the disc.

Part I covers all, but only, the original recordings of the specific title; reference to re-edition, excerpts or compilations of the original recording appears in the linked descriptive page.

Finding all original recordings may well be wishful thinking without comments and corrections. These could be directed to my E-mail address pfr videotron.

Credit for any significant contribution will be given at the end of this page. No ranking number appears if the release contains only excerpts of an already listed CD, Cassette or Video in this section. Part III lists newly released, or soon to be released, CDs when the available information is not sufficient to be added as a specific entry in the preceding list.

The text of Machaut's works has been placed together with Part I of the discography, upon following the links to individual pieces below. This numbering derives directly from musical editions, and so differs from that in poetic editions, which contain many other poems in these forms not set to music.

On the linked page, the number of parts is given for the musical setting, as well as other significant comments. More extensive factual remarks on each piece will be prepared over the longer term, possibly including recent research suggestions on chronology. Bowers, Roger. DOI: Bowers further suggests that the endowment for the Mass was made not by the Machaut brothers themselves but by their fellow canons.

Cerquiglini-Toulet, Jacqueline, and Nigel Wilkins, eds. Guillaume de Machaut: — Cosman, Madeleine Pelner, and Bruce Chandler, eds. Annals of the New York Academy of Sciences Essays from a conference in New York, including studies of science and technology in 14th-century France. Earp, Lawrence. Guillaume de Machaut: A Guide to Research. Garland Composer Resource Manuals.

New York and London: Garland, It also includes an utterly comprehensive annotated bibliography and discography. One of the best books of this type on any subject. Leach, Elizabeth Eva. Please enable JavaScript in your browser to use the site fully.

Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love.

Introspection Late Night Partying. Rainy Day Relaxation Road Trip. The most beautiful of the five manuscripts that contain all Machaut's works was written for the duke under Machaut's personal supervision. Because of this "complete edition," Machaut's output reaches us fully and is the most voluminous of any composer before the 15th century. In Machaut's brother died, and in April Guillaume followed him. Two poems written by Deschamps in May commemorate his death; shortly thereafter they were set to music by a composer of the younger generation, Andrieu, and they constitute the earliest such "complaint" about a poet or composer.

In his poetry and in his life Machaut shows himself conscious of his lowly origin but also of his worth. He is dignified, but he can be rollicking and rustic; he is realistic and honest rather than formal. Machaut describes nature as he saw it, responds to the events of his day as a poet-historian, and gives a very honest account of his last love affair, that with Peronne, a girl of 18 or 20, with whom he fell in love during his early 60s; elsewhere he records the names of some eight other girls he had loved.

Machaut's works can be divided into four categories. Several of these works contain poems set to music. The second group comprises his shorter poems: La Louange des dames, some poems in praise of women; and about 50 complaints and other poems. The third category includes poems set to his own music: 19 lais; 23 motets, with 2 texts each; and pieces in the standard forms of the period formes fixes —ballade, virelai, and rondeau.

The fourth group consists of two large musical works: the hocket David and a Mass. Many of these works reappear in manuscripts other than the five of his "complete edition," proving the composer's widespread fame.